The jade in the Han Dynasty represents the beginning of a culture, the identity of a user, and the worship of cultural connotations of the time.
The jade craftsmen choose high-quality jade materials and do their best to sculpt the works that express their cultural heritage and connotation, and engrave them on the ornamentation with exquisite craftsmanship. After the tempering of time, the natural formation of the twilight, natural beauty, is imaginative.
After nearly two thousand years of development, the jade culture has changed and the jade crafts have progressed and developed, so the post-imitation Han Dynasty jade can not be compared with the real thing.
The first is the difference in cultural connotations and the similarities in style. However, there is no charm of the times. In the Qing Dynasty, the jade craftsmen had no such adoring mood when they copied the imitation. They only wanted to be shaped, but they lost their charm and made their appearances clear.
Second, the craft always has the characteristics of this era, just like the practice of hooking clouds in the jade wall, it is very modern.
Third, the twilight of the imitation of Hanyu is an eagerness for a moment, and the artificial practice of floating on the surface cannot be compared with the natural twilight.
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