How to protect family books and paintings

The cleanliness of paintings and calligraphy is mainly dominated by the wind. In a house with suitable humidity and humidity, the painting and calligraphy exhibition will be opened. Axis paintings can be hung and blew through the breeze to blow off the surface moisture and dust. Using this method, we must choose sunny and mild weather, neither windy nor cloudy. Dry wind will make paper artifacts brittle and break, and cold will increase moisture and cause mildew damage. In the north, it is generally a good autumn day. Shaking time should not be too long, two or three days is appropriate. Shaking should not be direct sunlight, because the damage to the paintings and calligraphy is very large. Ultraviolet rays and infrared rays will cause ink and color on the paper to fade, and direct sunlight will make the paper product too dry and shorten its life. Some southern regions have the custom of basking in the sun on the dog days, but the north is not suitable, especially if it cannot be shaken in the spring season. After shaking, you need to use a soft hairy tweezers to gently slap the front and back sides of the painting, and then use the side of the scorpion to make the squats parallel to the painting and roll the slap. If you smash the painting vertically, , it is easy to make a crowbar stamped heart. After removing the floating soil, roll up the collection. When scrolling, pay attention to the slow speed, roll with the situation and prevent the page from being broken. The technique is to first unwind the tape, and after the tape is rolled up, the edges will be drawn together and then tightened. If the tape is first tightened, it is found that the tape cannot be adjusted if it is not rolled. Of course, it is best to rewind it once and try not to adjust it.

Another major enemy of flood control painting and calligraphy artifacts is insects. First, we must do a good job in a big environment. The interior of paintings and paintings can be smoked with electric mosquito-repellent incense tablets at regular intervals, once a month in summer, and extended in winter. Electric mosquito-repellent incense tablets are harmless to the human body and can kill small moths and prevent their production from becoming larvae. In addition, it is also possible to put camphoral insecticides in the bins where the paintings are placed. However, in paper packs, cultural objects cannot be directly touched. If the collection of paintings and insect pests occurs, insecticide must be carried out immediately. The safe and reliable method is to use Chinese herbal medicine to kill insects. Use half of the “Tough Practice” (Traditional Chinese Medicine) and Pharmacokinetics, research into powder, and sprinkle around the wormy artifacts. After one week, the worms will all die. It is also possible to use these traditional insect repellent herbs such as "Musk," "Huangxi," and "Pyrethrum."

The installation process is a measure of protection and salvage of damaged and damaged paintings and calligraphy, just as the old saying “Restoration of Ancient Monuments as Medical Doctors”. When purchasing ancient paintings and calligraphy, the installations should be as clean and beautiful as possible, which creates innate good conditions for future protection. Some people mistakenly believe that the more yellow and dirty old paintings the better, and even deliberately put new paintings into yellow. Each time you pretend you have more damage to your paintings. Because the spirit of the figures in the paintings and the richness of the flowers and butterflies are all only in between a few shades. In particular, ancient paintings have been circulated for a long time. Perhaps after more than one exposing, it is also a kind of protection to reduce their exposure. The techniques of exposing the gongs are roughly the main processes of painting, exposing, patching and lining. The ancients paid attention to every procedure, including the production of paste. The “Decoration Journal” written by Zhou Jiaxuan in the Ming Dynasty recorded specific practices in detail and left valuable information for future generations to learn from. If today's people are protecting the ancient paintings, they must ask skilled artisans to decorate them with traditional methods, and avoid using chemical pulp and electric ovens. One is that high-temperature baking promotes fiber aging, and the second is that it will affect re-exposure in the future.

In addition, the concept of painting is also stressful. Lamps, rain, wine, and "seeds" are not painted. "Kanzi" refers to people who do not have exhibition experience. "The volume is uncomfortable, and it is the most harmful thing." Observing paintings must also be careful not to touch the fingers to draw a picture of the heart, not to smoke the fingers while smoking, and to avoid saliva splashing on the canvas when talking about it. Turn the album on the bottom or side of the album. Turn it over to prevent tearing. Whether you are looking at paintings or albums, hold your hands lightly, avoid clasping hands, and wash your hands beforehand.