Today, we have the most sleek and best-in-class material age in history; today, we have the most responsible and aesthetically pleasing artist era in history. Today, we have the environmental era in which the best jade carvings in history and the latest jade carvings are innovating. Yes, we have the classic "Kuanyin", but today's "Guanyin" is more real and closer; our jade carving has a "boy" with happiness, but today's "boy" is happier and more pleasing; The jade carving also has the "five blessings", but today's "five blessings" are more artistic and modern; our jade carvings also have "rebes", but today's "returning beasts" are more naughty and more agile... Our jade carvings are inherited "The vessel", it no longer engraves the majesty, only conveys the simplicity and the atmosphere; our jade carving inherits the "玉牌", it no longer has power, only releases auspicious, art and fun; our jade carving inherits the "hand", it No longer confined the space, only the joy and warmth. In fact, utensils are still utensils, but today's artists have poured out fashion in traditional jade carvings, making it more concise; jade is still a jade card, but today's artists have engraved enthusiasm in traditional jade carvings, making it More changeable; the pieces are still pieces, but today's artists have found demand in traditional jade carvings, making it easier to enjoy.
In fact, we are happy, living in the flattened information network environment of the world, the infinite human philosophy, science, and religious thoughts are submerging, affecting and even changing people's life concepts; we are fortunate, have a comprehensive and rich artistic nutrition. The environment, a large number of foreign art ideas, forms, styles rushed in, affecting and even changing people's aesthetic trends. The traditional jade carving engravers inject the social responsibilities, artistic inclinations and times while absorbing the finest human culture, painting, sculpture, calligraphy, stone carving, contemporary art and other artistic essences. On the jade carving with the most Chinese cultural connotation, boldly introduce the modern aesthetic into the design and production of jade, and create a contemporary jade carving style that inherits both traditional expression and modern needs, and is a brilliant engraving of Chinese art. A deep knife. Among them, the exploration and innovation of the academic jade carving based on professional art learning is equally huge.
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Academic
Never before
About the academic jade carving, it is based on a long-term, professional learning background and academic and professional learning attitude. With the rapid development of contemporary jade carvings, the composition of the employees has slowly changed. The northern and southern factories, rural factories, students and peasants, relatives and friends have come to this small industry. Although most of them are employed in the form of traditional teachers, it is not difficult to find that some of the academic backgrounds are leading the development of jade carvings. The academics often receive the formal, systematic art, and design education for nearly a decade. They are immersed in professional education such as sketches, line drawings, sculptures, patterns, and jade carvings. They have also been produced by people who have practiced strict and heavy jade carving for decades. The tempering of the creation of utensils, brands, handles, mountains and ornaments. Their life experience and jade carving career seem to have an innate relationship. Professional knowledge, mature experience and strong personality encourage them to explore from various aspects, and different in the theme, style, content and craft of jade carving. Inheritance, innovative practice, and create a large number of jade carving works with distinctive artistic characteristics.
The same is the eternal "Kuan Yin" theme, the theme, structure, technique and aesthetics can change with the times. "Guanyin" is a long-lasting theme in jade carvings for thousands of years. How to understand? How to behave? How to create a "Guan Yin" image that conforms to this era? This is a question that today's jade carving people are considering. My mountain work "Children's Guanyin" explores the use of academic precision to understand jade carvings. In the style of absorbing the traditional "Guanyin" full of heaven and the earth's square, combined with the use of western sculptures with correct proportion, strong sense of volume and simple tension, create The overall large-area white space, body contour changes and face refinement of the expression style, the formation of a full body, generous grace, sleek and soft, calm and quiet, full of strong modern art appeal of the "Kuan Yin" works. I think: "This is a freehand rather than a realistic route. With the simplest brushwork, it is the most complicated and profound connotation. This is the highest realm." After the completion of the "Guanyin" works, the pursuit of the school jade carving The overall simplicity, the human body's comfort, and the rationality of the craft are the pursuit of the natural beauty of jade.
A "song" character in the overall shape of "Guanyin" pursues a calm and peaceful atmosphere, pursuing a calm and relaxed state. It requires accurate three-dimensional perspective, correct human anatomy and complete sculpture volume as the academic foundation. "Kuanyin" artistic aesthetic "soft" character, the pursuit of a sense of art, lofty sense, the pursuit of a taste, practicality, it requires traditional understanding, scientific grafting and artistic expression as the basis of education. A good contemporary work must meet the requirements of materials, themes, effects, and feels, that is, the high-quality Hetian seed material, the auspicious theme of avoiding evil and Nafu, the exquisite perfect visual effect and the gentle and smooth playing feel. No.
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Inheritance
Carefully selected retention
The formation of Chinese jade carvings often meets the practical needs of different periods. From ancient times to the present, it has experienced the gradual process of worshipping appeals, moral appeals, literati demands, and auspicious appeals. The culture of "Jade Wall Sacrifice Heaven" and "Yu Yu Lie" in Hongshan Culture fully represents the original appeal of people at that time to pray for the gods and gods; the "seven virtues" successively proposed by Laozi, Guanzi, Xunzi and Confucius Theories of "five virtues" and "ten virtues" have elevated the natural qualities of jade to the moral appeals of personality practice; the creation of the system of the Sui and Tang dynasties prompted the rise of the literati class, and the formation and prevalence of the "Zigang" in the Ming Dynasty The elite literati appeals; and the development of the Ming and Qing dynasty business forms a wide range of affluent people. The "religious", "avoiding evil", "Naxi" and other vocal themes constitute the auspicious appeal of the greatest demand.
Among them, when it comes to the widest appeal, the most demanding, the longest lasting is definitely auspicious works. The turbulent history of China for thousands of years has become a folk custom of relying on people to rely on others and relying on others to pray for blessings. The practicality of auspicious subjects has made folk culture and crafts of various materials popular, and the decoration of jade ornaments The home and the body protection function of the piece show its unique value. Therefore, whether it is a regular hand piece such as a character, a flower bird or a beast, all of them are infused with homophonic, mouth color, symbol, etc. to avoid evil and Nafu meaning. For example, the “Guanyin†in the subject matter often appeals to the desires of peace, childbirth, wealth, etc. The “Magpie†in the theme of flowers and birds is the folklore of the folk custom letter, and the most popular traditional flower and bird theme “Happiness on the tip†is The combination of "Magpie" and "Plum Blossom" means that the news is happy, and the happy event is coming, and the "monkey" in the theme of the beast rides on the "horse", and there is a "following the seal" of Feng Lu. From this, we find that the "intuitive sound" and "harmonic" near-sounding words play a big role in this, which may be related to the fact that the ancient Chinese oral communication is greater than the textual communication. In fact, from today's collection market, jade carving auspicious subjects still account for the largest part of the works, but some of the subject matter has changed some meanings, such as the "view" of "Kuanyin" and the "official" word homonym, "Guanyin" The subject matter has the role of the government and the guardian. So, how to inherit the needs of traditional jade carving? How to satisfy the aesthetic taste of the times? It is the responsibility of each jade carving person.
The school respects the characteristics of jade carving and respects people's good wishes. It only uses the auspicious theme to make the theme more clear, the image is more realistic, the ratio is more precise, the relationship is more reasonable, the craft is more concise, the style is more artistic, the symbol is more modern, and the play is more rounded. . For example, the celebration of "Rohan" is joyful and humorous; the laughter of "Muller" is happy and laughter; the "boy" is vivid and vivid; the kindness of "Buddha" is kind and kind... as a lucky character, the appeal is complete In place, the demeanor is kind, the proportion is deformed, and the subject's face, body, clothing, and clothing are exquisite and accurate. It is also like a blessing of flowers and birds. The theme is reasonable and reasonable, the taste is rich, the form is lively and interesting, and the flower is The mouth, body, and feather of the petals, buds, branches, and birds are small and delicate. Another example is the exorcism of the evil beasts. The shape is majestic and tense, the nature is vivid and interesting, the antiques are beautifully deformed, and the structure, dynamics, and momentum of the beast are beautifully carved. Strong and strong... The jade is fine and moist, the color is white and flawless, and the size is light and heavy. It not only satisfies the willingness of people to carry with them, but also suits the interest of people at any time. The imagination of the subject, worship, pray, Nafu, picking up the gods, exorcism, harvest, and even the succession of the ancestors, the ancestors seem to find a safe dependence; the craftsmanship full use of openwork, relief, inscription and other rich techniques, performance
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Innovative
In line with the changes of the times
The "fine work" of contemporary jade carvings is amazing. The careful application of materials, the precise creation of creative design, the exquisite interpretation of carving skills, and the exquisite transmission of artistic charm are all exemplified by "fine but not too good. Craftsmanship and artistic achievements, fine but not craftsmanship, simple but not complicated.
In fact, to promote the jade carving process to the extreme, simply relying on imitation is absolutely impossible to reach the realm. Today's tools have been different from the past manual era. At that time, the various production processes of cutting, punching, undressing, fine-graining and polishing were difficult. Today's jade carving people are unimaginable, and the limitations of the process hinder the performance of white jade hardness. When the innovation of jade carving is placed in front of us, the first consideration is how to inherit? What is inherited? The school always believes that it is incumbent on the profound heritage and connotation of the inheritance of the jade carving history. They follow the origin of the Laozhuang culture, and then connect with the contemporary aesthetic interface, and borrow, refine and integrate to create a big open and exquisite Jade carving art works with connotation and epoch-making, enterprising and developmental power. What is innovative is the long-established but not mature demand in people's minds. The innovation is the interpretation language that needs to be updated in the traditional content. The innovation is that other art has been transplanted into jade carving, and the innovation is the default. The market of tomorrow is not the day after tomorrow. Innovation is the promotion, not the discovery; innovation is the application, not the ideal; innovation is always based on the market's accommodation, point-to-point.
In conceiving, innovation emphasizes all forms of service for content, obeys the praying needs and aesthetic level of modern people, and creates interest and artistic conception after satisfying the performance of the theme; innovation in boldly using the expression techniques commonly used in modern art, retaining large Color blocks, fine parts, think about the size contrast effect of "still holding half face", and reserve mystery. In the process of craftsmanship, it emphasizes the mutual contrast between white jade and leather color, showing a real effect of strong contrast of colors, which is a simple atmosphere that depicts the modern shape, and also shows the traditional high relief, bas-relief and Different combinations of techniques such as intaglio and yang engraving, the space, level and aesthetic sense of the combination of rigidity and softness and depth reflected in the collection of the work are required to be completed by the responsibilities of the academic jade carving people, and the combination of vision and courage; In the display of individuality, the emphasis on the artistic concept and personal style of the times makes the artistic personality contained in the interest of the work more prominent. They have given changes on the basis of traditional techniques, deepened the thinking and reinterpreted the meaning of white jade.
Innovative academic jade carvings that conform to the changing times of the times are famous for their distinctive themes, exquisite craftsmanship and profound connotations. The use of large-area curved surfaces in specific expression techniques, the lines of detail are extremely smooth; or the precise connection between the surface and the surface, the performance of the local details is more delicate; or the integration of Western perspectives into traditional techniques, The story, craftsmanship and artistry of the work are more prominent through the process interpretation. Compared with the traditional "Shanghai School", "Beijing School", "Yang Bang" and "Su Bang", the school has more innovative jade carvings in terms of thought, value, aesthetics and taste; in the inheritance, transformation and innovation of the subject matter Extremely rich; the development, understanding, and application of craftsmanship are even more fascinating; the era of discovery, grafting, courage, and responsibility is innocent.
The school’s jade carvings have never abandoned the integration of Chinese traditional culture. They have never stopped the new flowers and new grasses in the world. They understand that no matter how far they go, white jade is Chinese, it can only express Chinese aesthetics. . The same works, care about life, care for women, pay attention to aesthetics, and show their own styles; the same works, points and faces, mutual gram, line and rhythm, in line with each other. The courage to explore and dare to innovate in the art of jade carving is the value of the art and technology that it deserves today.
The jade carvings placed in front of us, the close-up is precisely the hillside is full of timely flowers and strong pine trees, one or several sages are singing, poetry, or tea or drinking, hidden by the water Leisurely deer and cranes create a harmonious picture of the unity of man and nature; there are pavilions on the tops of the finely carved mountains, there are sleeping boys in the pavilions, there are bridges, and there are old people riding on the bridge, the fog is dense. The mountains connected by the forest are like a frame or a long scroll of green or green mountains in the Tang or Song Dynasty; the distant edging is often surrounded by layers of cloud gas, faintly showing the outline of the mountain and the birds that are gradually disappearing. Like the misty rain in the mountains and rivers, the choices of ancient poetry such as Li Bai, Du Fu, Lu You, and the scripts of the scripts, scripts, and scripts complete the composition of poetry, books, and paintings, and point out the gods and wonders. The character of the theme of the theme... This may be a piece of jade, which may also be a piece of hand, which may be a mountain... All of this may be possible, the difference is the difference in expression. In fact, this is the full world of literati, this is the realm of three-dimensional. To create this world and the realm is the imaginative charm of Chinese traditional jade carving! It is the reappearance of the jade carvings of the Chinese Modern Academy!
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